Readings

So I had three readings of pieces/plays of mine this weekend. It's so incredibly helpful to hear a play out loud- I know there's things I miss when it's only on the page. And feedback is always great, whether it's positive or negative- if negative, I try to see what caused that effect and change that- most often, I've found, it's not what the audience thinks should be changed.
My favorite is feedback from the actors who read it. There's something wonderful about the perspective from inside the piece, sometimes you can get an entirely different take on things from the characters' points of view, which is especially valuable.

"Good actors force me to write as honestly as I can. I say 'force' because if you have fudged the truth in a script (and sometimes I want to take a short-cut to the end of a scene or act, a short-cut that the action of the play doesn't justify) a good actor's honesty will shine a very bright light on that moment of chicanery and you will have to fix it or go down in flames. Good actors are merciless that way. They can't help it. It's one of the reasons they're good actors. Mediocre actors let playwrights get away with murder."


- Terrence McNally, preface, 15 Short Plays

Work in Progress

So Oracle Theatre, Inc. will be doing a reading of the first scene of my play-in-progress Roman à Clay this Friday. It's a piece I've been working on for a couple of years- I wrote it and put it away and then brought it out again and re-wrote and then put it away... recently brought it out again for a whole new rewrite... I still don't have much aside from the opening scene.
One of the actors doing the reading said he was riveted to find out what happens next, and was disappointed to find out that I don't exactly know yet. :)